Wednesday, January 6, 2021

 Fine Art Fabiana Pretti participe of exhibition in honor to Roberto Burle Max

Fabiana Preti, was born in 1979 in São Paulo, the city where she lives and works. See graduated in Industrial Design (2002) at FAAP -Foudation Armando Alvares Penteado. Act in a way of particpative form in Project Monitoring courses with Paulo Pasta at Tomie Ohtake, Art history with Rodrigo Naves and practical course in Contemporary Art with Aline Van Langendonck.. She already participed of courses with Nino Cais and Carla Chaim at Garden Hermes & Rodolpho Parigi and Regina Parra at Aldeia.   

Currently the artist participe of the project idealized by World Art Show at  Sao Paulo - SP, Brazil.

The exhibition inpired in a modernist garden NY BOTANICAL GARDEN named after The living Art of Roberto Burle Max.

The Botanical Garden living is locatedat  Ortobom Space Architecture and Design comprises a Brazilian Modern Botanical exhibition - Inspired by "The Living Art of Roberto Burle Max" showing connections between his landscape projects and the arts that define them by a modern artist par excellence. Although the artist had a very different style in his garden designs, there was not even a creation as a stereotype and, as a landscaper, Burle Marx (1909-1994) did not use any technique that would modify the natural shape of plants.

The Modernist Garden is idealized by the World Art Show and inspired by the New York Botanical Garden - The path bordered by native Brazilian plants is similar to the path of the artists who make up the scene of the visual arts of the ambiance where Fabiana Pretti participe in a ambiance designed by Sandra Cantuário and Ana Carla Pagliosa.

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Wishing you a Happy New Year 2021

Nous vous souhaitons une Très Bonne Année 2021

Our current show





November 9th 2020 - January 29th 2021



Lives and works in Longtown, Herfordshire, UK
Born in 1946, Hampshire, UK

Philip Hearsey is an experienced British sculptor who has exhibited his work throughout the UK but also all over the world. He specializes in sand casting to make sculptures that engage the quality of bronze as a noble material in its own right. Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand casting process is relentless and unforgiving – the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity. Color is achieved in many ways. The most common and widely used method is to oxidize (patinate) the bronze by employing the same chemical reaction that occurs in nature, but using a combination of mild heat and stronger solutions to achieve a faster result. Patination can be enhanced by the application of a transparent colorwash that maintains the inimitable variegated effects that are possible with oxidization, whilst producing a more vivid finish. The most usual colorwash is acrylic, but oil-bound washes or colored waxes are sometimes used. Coloring can also be achieved by painting alone and often this technique is utilized on part of a sculpture in combination with patination. Painting allows a greater range of colors than patination alone. All coloring is finished and protected by a marine grade lacquer and/or wax.

Philip lives and works on the Welsh borders of Herefordshire – a beautiful place, still remote and largely unaltered, landlocked and very slow in change. This is in sharp contrast to the coast that he also loves, where everything changes twice a day with the rise and fall of each tide.

34-36, I. Abashidze, Vake
Tbilisi, Georgia
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New York City, NY 10011, USA

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